When We Were Young: A Tapestry Woven From Threads of Nostalgia and Rebellion

Stepping into the world of Turkish literature can be akin to discovering a hidden oasis, brimming with stories that resonate across cultures and time. “When We Were Young” by Ahmet Ümit, originally published in Turkish as “Gençliğimiz,” invites readers on a journey through the vibrant streets of Istanbul, exploring the intertwined lives of three generations within a single family. This exploration is not merely a recounting of events but rather a poignant examination of societal shifts, generational divides, and the enduring power of memory.

Ümit masterfully weaves together threads of nostalgia and rebellion, painting a portrait of Istanbul in constant flux. The bustling Grand Bazaar, with its labyrinthine alleys filled with the scent of spices and the chatter of merchants, serves as a backdrop against which the characters grapple with their pasts and navigate the complexities of the present.

The novel centers on a renowned fashion designer, Kemal, who returns to his childhood home after decades of success abroad. His homecoming triggers a cascade of memories, both joyful and melancholic, prompting him to confront the ghosts of relationships long past. Alongside Kemal’s narrative, we encounter the voices of his parents, whose experiences during the tumultuous years following World War II shape their perspectives on life, love, and tradition.

Through intricate flashbacks and nuanced character development, “When We Were Young” delves into the heart of Turkish identity. We witness the collision between modernity and tradition, as Kemal’s avant-garde fashion designs challenge the conservative values upheld by his older generation. The novel probes the impact of Westernization on Turkish society, exploring themes of cultural hybridity and the search for individual expression within a collectivist culture.

Fashion as a Lens for Cultural Exploration:

Kemal’s profession as a fashion designer serves as a powerful lens through which Ümit examines broader societal issues. Fashion, in this context, transcends mere aesthetics; it becomes a language of rebellion, self-discovery, and cultural negotiation. Kemal’s designs often draw inspiration from traditional Turkish motifs, reimagining them in innovative and unconventional ways. This fusion of heritage and innovation reflects the ongoing tension between preserving tradition and embracing change within Turkish society.

Consider, for instance, Kemal’s “Istanbul Collection,” which features intricate embroidery inspired by Ottoman-era carpets juxtaposed with modern silhouettes. Through this collection, Kemal seeks to bridge the gap between past and present, reinterpreting historical aesthetics for a contemporary audience. His work becomes a metaphor for the challenges faced by a nation grappling with its own evolving identity.

The Threads that Bind:

“When We Were Young” explores not only individual journeys but also the intricate web of relationships that bind generations together. Kemal’s reconciliation with his estranged father, a man deeply rooted in traditional values, underscores the complexities of familial bonds. The novel portrays the gradual understanding and acceptance that emerges as they navigate their differences, finding common ground amidst their contrasting perspectives.

The presence of strong female characters adds another layer of depth to the narrative. Kemal’s mother, Zeynep, embodies resilience and strength in the face of adversity. Her unwavering love for her son and her pragmatic approach to life serve as a counterpoint to Kemal’s more idealistic nature. Zeynep’s story highlights the enduring contributions of women to Turkish society, often working behind the scenes to shape family dynamics and uphold cultural traditions.

Literary Style and Production:

Ahmet Ümit’s prose is characterized by its lyrical quality and evocative imagery. He seamlessly blends realism with a touch of magical realism, blurring the lines between past and present, dream and reality. The novel’s structure mirrors the fragmented nature of memory, as flashbacks interweave with present-day events, creating a tapestry of interwoven narratives.

“When We Were Young” was originally published in Turkish in 2015 by Can Yayınları, a leading publishing house renowned for its commitment to promoting contemporary Turkish literature. The English translation, published in 2018 by Other Press, retains the essence of Ümit’s original work while making it accessible to a wider audience.

A Tapestry Worth Exploring:

“When We Were Young” is not merely a novel about fashion; it is a multifaceted exploration of identity, family, and the passage of time. Through its richly drawn characters and evocative setting, the book offers readers a glimpse into the heart of Turkish culture and the enduring power of human connection. It is a tapestry worth exploring, inviting us to reflect on our own pasts and embrace the complexities of the present moment.

Key Features:

Whether you are a seasoned bibliophile or simply curious about discovering new literary voices, “When We Were Young” offers a captivating journey through the vibrant tapestry of Turkish life. Prepare to be transported to the bustling streets of Istanbul, where tradition meets modernity, and where fashion serves as a powerful language for self-expression and cultural exploration.